![]() And so this is a good example of drawing in the context of design, by M. If you start, you only get better as you go along. But with patterns, at times, it takes more organic, free-flowing shapes, and that means you're going to have to draw a little bit to pull some of the styles off that you want to pull off. If you design logos and icons, you'd use a lot of geometric shapes, circles, squares, triangles, et cetera, to build those designs. Even though we all work digitally, you can leverage drawing as this skill to produce something that may be a little more illustrative than what you normally do. But this is how patterns were designed back in the late 1930s, and even prior to that, everything was analog, so drawing is a skill that you can leverage. But you could still pull this pattern off in digital using the methods that I'm going to show you moving forward. You're restricted to using 90-degree angles, and we'll cover that in an upcoming movie. Now, you can't do that type of design for a pattern inside Illustrator. And once again, this is a parallelogram shape that he's basing this design on. You can even see the grid he used to guide him. ![]() ![]() Escher in 1938, and this shows his brilliant mathematical tessellation pattern that he drew out. What you see in front of you is a pencil sketch that was drawn by M. So let me take you through that process right now. So where do you start? And how will drawing help you plan out and create your pattern design? In this movie, we'll establish our theme and work out our motif from concept to final, refined sketch. But first I want to focus on the process of creating a completely custom repeat pattern from scratch. Illustrator has several ways to create a pattern design, and we'll cover both methods thoroughly in this course.
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